Site-integrity was developed by Julie Marsh an artist and researcher at the Centre for Research and Education in Arts and Media (CREAM), a world-leading centre in practice-based interdisciplinary practice . Julie is a specialist in collaborative and knowledge-led approaches to field research and in 2017 she coined the term ‘site-integrity’ as part of her doctorate at London College of Communication, University of the Arts, London. Her practice is interdisciplinary, exploring the intersections between film, installation, performance and site-specificity. Through the exploration of real and representational space site-integrity investigates how technical machines can perform site, creating critical experiences for audiences that open debate and question social spaces.
Julie is the Co-Director of the CREAM Doctoral Programme at the University of Westminster. She currently supervises PhDs on subjects including; art and society, documentary film, site-specific practice and creative technologies. Julie works closely with The Deep Field Project situated at the intersection of contemporary art practice and ecological, environmental, and social justice and is an active member of HOMELandS (Hub on Migration, Exile, Languages and Spaces), the Arts, Communication and Culture, the Diversity and Inclusion Research Community at the University of Westminster.
Julie has exhibited internationally, most recently as part of the Three British Mosques at Venice Architecture Biennale 2021, Black Box Symposium, CAS (Centre for Audiovisual Studies) FAMU, Prague (2021), SCREEN Moving Image Festival, Barcelona (2019), The Biennial for Emerging Arts, Romania (2018) Lokomotywownia, The Starmach Gallery, Krakow (2018), Sputnik-Kino, Berlin Short Film Festival (2018), Moving Sites/Sights, Meetfactory, International Centre of Contemporary Art, Prague (2018).
Projects have been achieved with sustained technical research and development support from Jonny Fuller-Rowell fulfilling the role of technical engineer / computational developer.
Julie is the Co-Director of the CREAM Doctoral Programme at the University of Westminster. She currently supervises PhDs on subjects including; art and society, documentary film, site-specific practice and creative technologies. Julie works closely with The Deep Field Project situated at the intersection of contemporary art practice and ecological, environmental, and social justice and is an active member of HOMELandS (Hub on Migration, Exile, Languages and Spaces), the Arts, Communication and Culture, the Diversity and Inclusion Research Community at the University of Westminster.
Julie has exhibited internationally, most recently as part of the Three British Mosques at Venice Architecture Biennale 2021, Black Box Symposium, CAS (Centre for Audiovisual Studies) FAMU, Prague (2021), SCREEN Moving Image Festival, Barcelona (2019), The Biennial for Emerging Arts, Romania (2018) Lokomotywownia, The Starmach Gallery, Krakow (2018), Sputnik-Kino, Berlin Short Film Festival (2018), Moving Sites/Sights, Meetfactory, International Centre of Contemporary Art, Prague (2018).
Projects have been achieved with sustained technical research and development support from Jonny Fuller-Rowell fulfilling the role of technical engineer / computational developer.